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You are watching: Do bananas float



The Life of Pi starts nearly as a nature documentary, via footage of a lavish Indian zoo where Pi Patel (Suraj Sharma) grows up via his household. Ultimately the Patel family members (and also many kind of of the zoo animals) board a freighter headed for Canada. A storm sinks the ship (in what is just one of the a lot of amazing and gripping such scenes in cinema), and also quickly Pi finds himself the sole human survivor, trapped on a lifeboat with a tiger.

Much of the rest of the film adheres to Pi’s journey on the boat, hoping to be rescued and in danger of being eaten himself. The Life of Pi has lengthy stretches wbelow not a lot happens, and what does happen isn’t that interesting. He awaits to be rescued, tries to tame the tiger, catches fish, sees beautiful visions, and so on. It’s all very lush and lyrical, however never really gels right into a solid story.

Pi is, well–there’s no polite way to phrase it–he’s puzzled. Pi insists that he’s both a Catholic and also a Muslim. If you recognize little or nopoint about Catholicism or Islam that might seem superficially plausible, but in reality they are mutually exclusive. Muslims believe (and also need to recite) the shahada creed, that “There is no god but Allah and Mohammed is his prophet.” Depending on which version of the Christian Ten Commandments you review, the first or second is, “You shall have actually no gods before me.” Allah is not the Christian God, and no amount of tortured logic or apologetics can make them the exact same. Christianity and Islam (and Hinduism for that matter) host many contradictory core beliefs, and the fact that Pi doesn’t recognize that speaks quantities about his character and the superficiality of his ideas. (Anyone that thinks that all religions basically say the same thing have to read up on comparative religions; one excellent location to begin is Stephen Prothero’s book God Is Not One: The Eight Rival Religions that Run the World.)

At one suggest Pi finds himself on a beach, and based upon nopoint more than finding what shows up to be a huguy tooth, he concocts a bizarre theory about how someone have to have actually been tbelow prior to, and also was eaten by the land, and he must escape as soon as possible. Without also bothering to discover the location to discover out whether he’s reached a Brazilian beach or a deserted island-for all he knows, tbelow may be a highmethod or village only a mile inland-he gets earlier in his boat and also leaves. Though there’s no hint that Pi is suicidal in the film, he regularly acts that method.

There’s little logic or rhyme or reason to Pi’s journey. I mean that’s intended to be part of the magic-that we don’t understand what’s actual, what’s a hallucination-however if that’s the instance, if tright here are no rules and anything goes, then presumably on his journey he might simply as quickly have actually encounter dinosaurs, Smurfs, Abraham Lincoln, or also a bedraggled Tom Hanks and also Wilchild the volleyball from Castaway.

Is Pi’s wonderful story of living on a boat via a tiger for months true? At one suggest Pi is wondered about by investigators trying to identify how the ship went down. One of them points to a supposed hole in his story: Pi pointed out that an adult orangutan floated to him on a bunch of bananas. “Bananas don’t float,” the investigator says. “Yes, they do,” Pi insists.

But they doubt his story, so he tells them a new one, finish with sincere conviction and also tears. Yet I was uncomfortable through this touch of post-modernism at the end, arguing that one person’s subjective truth is as good as the next. What of the family members members of the crew shed at sea? What if a kid or daughter pertained to Pi wanting to know the truth around their mother or father’s fatality, and sole survivor Pi told them several various versions, and shelp with a wink and a nod that they must believe whichever one “renders a far better story”? Don’t they deserve the truth?

Like Pi himself, the filmmakers desire to straddle the fence, flirting with different truths and realities and also contradictions. Yet without the courage of conviction anchoring the film in one interpretation, the film’s narrative is adrift. Pi is frustratingly contradictory and also elusive; for as much as we view of his life (which is a lot), he stays a cipher. Pi is smart enough to memorize pi to 100 digits, but apparently not smart enough not to rerelocate many of his food and provides from the lifewatercraft and also stack them onto a flat raft which is certain to tip over at the first huge wave. (I’m not being judgmental; Pi himself admits he’s an idiot.) Pi mentions his prouncovered relief at lastly finding shade on the boat-yet he inexplicably spends a lot of of his time apeak the shade in the complete sun, regularly bare-chested.

Pi also demonstrates a details shallowness of thought when he falls into the common and apparent fallacy of thanking God for saving him (he catches a fish for food, interpreting it as a gift from God), while conveniently ignoring the fact that if he was so concerned around Pi’s welfare, God might have simply not let the ship sink in the first area. It’s favor plane crash survivors that are so particular that a benevolent God was looking out for them; God gets crmodify for saving one or 2 lives, however no blame for taking dozens or numerous various other lives. If this is the level of self-reflection that the film brings to Pi’s life and also crisis of belief, then frankly I’m not impressed.

A bigger difficulty is that the film doesn’t offer the audience any type of reason to treatment about Pi’s spiritual journey. The structure of the story is that Pi is telling his life story to a visiting writer, promising that it will certainly make him think in God. That’s all well and also great, however we’re provided no factor to treatment around either of these personalities. We have actually nothing invested in them to start with, so why Pi believes in God, or whether the writer agrees that his story is true and also impressive isn’t that necessary. The screenauthors dropped into the trap of telling instead of showing: They might have actually presented Pi in a different way, maybe with some bold or bizarre action, in such a means that we are intrigued by him and also wanting to recognize even more around him and also what formed his ideas; rather we’re sindicate told (by a second-hand also source) that he has something to say that’s worth our while.

Placed another means, if I met someone in line at a bank or waiting in a doctor’s office that wanted to tell me about why he thought in God–or was a Christian, Mormon, or Jehovah’s Witness, or believed that 9/11 was a cover-up, or wanted to explain an acid trip at a Jethro Tull concert–I’d protect against eye contact and desperately look for a magazine to read.

Films through untrustworthy narrators deserve to be great (view, for example, Swimming Pool, or Jacob’s Ladder, or The Usual Suspects). But when the topic is a person’s spiroutine journey, it matters whether their experiences were genuine or dreamt. What, specifically, are we to make of Pi’s journey and also life? It’s all fairly meandering and also murky. At one suggest Pi asks, in response to a question about his story, “Why need to it suppose anything”? Yet this answer is disingenuous at best; plainly director Ang Lee and the screenauthors desire us to imbue the film’s plot and also themes through definition. I acquire the premise: a boy’s attempts to make feeling of the civilization, reconciling his require for spirituality and order in a chaotic, animalistic human being. Beyond that, who knows?

Yet it was via this watch that I was able to uncover some redemption in the film. Once I stopped tying to make sense of Pi’s journey and also reconcile the film’s contradictions, the film acquired better. I’ve been told that the novel upon which the film is based is an excellent check out, and that the film was taken into consideration unfilmable; I suspect both assessments were correct. The Life of Pi deserves crmodify for ambition and also creative merit; as a visual accomplishment it’s a exceptional film. The tiger, for example, is largely computer-created, and also stunningly realistic. As a satisfying fable informing the life of Pi Patel, it leaves something to be preferred.

By the method, a stalk of bananas execute in reality float; I tested it myself. They don’t sink, but remain at the water line.

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This detail would certainly seem toconfirm at leastern that component of Pi’s story-till you realize that the question isn’t whether bananas float, it’s whether they float with a 100+ pound adult orangutan sitting on height of them, and also the answer is nearly absolutely no.